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Arts & Entertainment - Page 4

The Arts & Entertainment world is a many-splendoured thing in Western Mass, Southern VT, and North Eastern NY. What are you're interested in?
Send an e-mail to arts@greylockglass.com.

The Pillar Profiles:
Lindsey Schmid

Editors Note: What does it mean when we say that someone is a “pillar of the community?” How you answer depends a lot on your experiences and intersections with the people who, in your mind, help support and strengthen the areas of local life that are most important to us. In this new series, we’ll surely tread some well worn paths in search of those personalities. We’ll blaze new trails looking for emerging leaders, as well as expand our vision of where to look for these pillars of our community.…

What We Leave Behind

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Dan Devine, Calf, plaster detail; Dan Devine, Calf, plaster; Giroux Gallery (photo: Sara Farrell Okamura).

Impact, New Works by Dan Devine, Thompson Giroux Gallery

Enter Thompson Giroux Gallery in Chatham, New York from now until May 5 and you are walking into Impact, the latest body of work by Dan Devine. Chalky white plaster sculptures cast from the metal remains from collisions and crashes are installed throughout the space. On the walls hang rubbings on creamy white paper, from ruined remains of motors, a melting icicle, a toy assault rifle, and the skeleton of a lamb.…

The Body Stops Here:
Works by Keiko Narahashi and Sarah Peters.

Installation, The Body Stops Here: Keiko Narahashi & Sarah Peters, Usdan Gallery, Bennington College; photo by Sara Farrell Okamura.

Editor’s Note: This exhibit closes March 31, 2019.

After arriving at Bennington campus through wrought iron gates, you ascend a meandering road until you reach the crest of a hill. Before you is a behemoth of a building—a 1000,000 square foot cathedral of wooden high beams and glass, dedicated to creating something from nothing in visual art, dance, and performance. This is VAPA (visual and performing arts) Center, situated on a summit against the surrounding vistas of the Green Mountains. Visitors enter by climbing the industrial stairs to the Usdan Gallery.…

Trenton Doyle Hancock
Mind of the Mound: Critical Mass

A Once in A Lifetime Odyssey

“At some point I realized the fractured self is the true self, and that to go by the script society gives, telling you that you only have this one road that you can go down, is actually the antithesis of the American dream.Trenton Doyle Hancock, Interview with Katy Henriksen, in the Creative Independent, 2017

Trenton Doyle Hancock, next to his longtime super being creation, Torpedoboy; photo courtesy the artist.

Sara Farrell OkamuraSara Farrell Okamura, a resident of North Adams, is an artist, arts educator, and writer.…

REVIEW: The Last Days
of Judas Iscariot

viewed 03/07/19

Before the doors leading into the CenterStage
open at the ’62 Center for Theatre and Dance, audience members waiting to see The Last Days of Judas Iscariot are
invited to form lines behind three candle-bearers. We are led into a solemn
scene lit by a single streetlight, where we stand before a woman who is
mourning the death of her child. Another figure sits behind her at a quiet
distance. The mother talks about her own pain and the shock of losing a grown
son coupled with the excruciating memory of how alone he was in the end.…

He Said, He Said: Les Ballets Trockadero de Monte Carlo at MASS MoCA

Les Ballets Trockadero de Monte Carlo have been around for 45 years and performed in over 600 cities and towns, Kinda makes them a thing², right? image courtesy the company.

The dance world has been slow to let go of certain stereotypes. Chief among them might just be that men shouldn’t dance en pointe, and that romantic love is best expressed by men and women dancing together.

Which is one of the reasons that Les Ballets Trockadero de Monte Carlo, the 45-year-old, New York City–based company of men in tights (and really, really large pointe shoes) has always been such a blast of fresh air. Not only are they game to get tarted up to play, often hilariously, all the women’s roles in classic ballets, but they also demonstrate serious dance chops that rouse the audience to standing ovation.…

Jane Hudson, recent paintings: an artists’ artist in our midst

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Enough Said, II,, Jane Hudson; acrylic on canvas, 24” × 30”, [source, the artist].

“Our hearing of colours is so precise … Colour is a means of exerting a direct influence upon the soul. Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposely sets the soul vibrating by means of this or that key. Thus it is clear that the harmony of colours can only be based upon the principle of purposefully touching the human soul.”Wassily Kandinsky

Jane Hudson is a pioneer.…

Stranger in a Strange Land: Akram Khan and XENOS

Akram Khan in Xenos, photo by Jean Louis Fernandez, courtesy of Jacob's Pillow.

Akram Khan doesn’t just perform his dances; he lives them. In XENOS, which played to a packed audience on February 21 at the Williams College ’62 Center for Theatre and Dance, he isn’t just a formidable dancer, but also a skilled actor adept at storytelling through explosive movement, small gestures, and poignant moments of stillness.

Whose war?Whose fire?Whose hand is this?from Xenos, written by Jordan Tannahill

Robin CatalanoRobin Catalano believes in the power of storytelling to connect communities and cultures.…

The Immortal Material

Vik Muniz, "Sarah Bernhardt from Rebus," 2010, digital C-print. Collection of the Palmer Museum of Art, 2011.25. [Source: Vik Muniz, courtesy of Sikkema Jenkins & Co., New York].

Plastic Entanglements: Ecology, Aesthetics, MaterialsSmith College Museum of Art

Aurora Robson, Isla, 2014; Plastic debris (PET + HDPE), aluminum rivets, tinted polycrylic, and mica powder; [Source: Aurora Robson].

Plastic. In most cases it is imperishable, non-biodegradable, and close to everlasting. It is so ubiquitous in our life that we barely notice how much we use. According to the New York Times article, The Immense, Eternal Footprint Humanity leaves on Earth: Plastics (7.1. 2018) by Tatianna Schlossberg, 5 – 13 million metric tons of plastic are dumped into the ocean each year, and since the 1950s, 4.9…

17 Years Boy: Epilogue
Works by Dr. Imo Nse Imeh

Imo Nse Imeh, Ovation, mixed media/canvas, 2018; [Source: artist / Readywipe Gallery]

“ To me, this new body of work symbolizes the challenging, yet beautiful journey down the path of healing, to transform the horror of unspeakable tragedy into a renewed sense of life and celebration, I wanted to make something new, I wanted it to be reflective of a dark past, but also hopeful for the future.  It needed to be about healing and the celebration of Black boys.”Imo Nse Imeh

Following a disturbing rash of racially motivated incidents at Westfield State University, Dr.…

School Vacations! New Spring Exhibits!

Emily Eveleth, Big Pink, 2016, oil on canvas, [Source: the Artist and Danese/Corey, New York] on view: Like Sugar, Tang Teaching Museum

School vacations are upon us! In addition, a welcome sign winter will not last forever-new spring exhibits are beginning to pop up everywhere! You can drive within an hour and view a recently opened exhibit composed of internationally renowned artists whose work has focused on sugar, both the sweet and sour aspects, at the Tang Teaching Museum at Skidmore College in Saratoga Springs to a beautiful group exhibit, Be Mine, presenting the many interpretations of love curated by Julie Torres at LABspace in Hillsdale, New York, or stay in your own back yard and finally try out the free snowshoes at the Clark Art Institute.…

Two Distinct Exhibits In A Historic Building

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Terry Winters, Untitled (2), 1999; gouache on paper, 44 1/4 X 30 1/2 inches; private collection [Source: Matthew Marks Gallery]

Xylor Jane: Counterclockwise & Terry Winters: Facts & Fiction

“I saw it in New York,” or “I saw it in the city” is an often-heard response when an exhibit of well established artists come to the mountains and valleys of western Massachusetts. It happens all the time at MASS MoCA. My response generally is, “Well, did you see it in a gallery the size of a football field? Could you look down on it from above?” One such show, slightly to the east of us, is now on view at the University of Massachusetts Amherst Fine Arts Center, which houses the University Museum of Contemporary Art.…

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