Cornbread Cafe #14: The Mammals
Episode #14 of the Cornbread Cafe features a deep-dive interview with Mike Merenda of The Mammals, tunes, and more tunes. Keep Reading
Cornbread Cafe #14: The Mammals
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Welcome brothers and sisters to episode #14 of the Cornbread Cafe. I am the mongrel, and I will be your grill master at this barbecue bonanza we’re firing up for you today. Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way.
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![Barbara Ernst Prey, School Room, 2019, watercolor on paper; [source Hancock Shaker Village].](https://i0.wp.com/www.greylockglass.com/wp-content/uploads/2019/05/School_Room.jpg?resize=150%2C150&ssl=1)
Climate Catastrophe: Why isn’t the poster child an actual child?
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While the mainstream media feeds us a daily slop of pablum about the foibles of the president and the clown car of Democrat presidential candidates, the problem that won’t go away with an impeachment or an election is, for the most part, ignored.
Very often, when you see a story about climate change/global warming, it is accompanied by a photo of a polar bear, an animal that most people have never even seen. By various estimates, the total world population of polar bears is between 20,000 and 30,000. This mammal has become the poster child of global warming, even though projections of their future are at this time, speculation. There is still insufficient evidence, no matter the huge sums spent on very expensive Arctic research, regarding the fate of these mammals.
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Weekend Travel Pick: Hudson Valley Hot-Air Balloon Festival
A few facts you might not know about hot-air balloons: it’s hot—as in, skin-prickling hot—riding directly beneath their burners. Hot-air balloons also rise off the ground a lot faster than you’d think, and can vertically travel 10 feet or more per second. And once you’re up, you feel weightless and free-floating, as if you’re suspended over the landscape on the gentle breath of the breeze.
Another fact: the Hudson Valley Hot Air Balloon Festival, now in its 28th year, returns—bigger and more aww-inspiring—to the Dutchess County Fairgrounds in Rhinebeck, New York, this weekend. Dubbed “Little Albuquerque” by insiders (after the Albuquerque International Balloon Fiesta, the largest in the world), the Hudson Valley festival started out as a 10-balloon event with 3,000 spectators. Last year, 35,000 people came out to watch more than twice as many balloons. This year, with more than 100 morning and evening launches of 30 invitation-only balloons helmed by both national and international riders, attendance may tip the scale at closer to 50,000.
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Farmers market coupons distributed to Williamstown seniors
WILLIAMSTOWN — Elders lined up bright and early on the first day coupon books became available at the Williamstown Council on Aging’s Harper Center. Each book contains ten coupons valued at $2.50 each, which can be used to purchase fruits, vegetables, and honey in markets across Massachusetts.
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TLC#73: 2019 Sundance Film Festival
Short Film Tour
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Hey, Greylock Nation!
This is TLC, Number 73, here at the Greylock Glass. I’m your host Jason Velazquez, and I hope your Independence Day week is shaping up nicely. I am very pleased to say that this episode is sponsored by the Hancock Shaker Village’s Shaker Barn Music Series, presenting The Mammals Saturday, July 27.
Sometimes fantastic interviews just sort of drop in my lap. Fascinating people I’d LOVE to hear from that I know you’ll enjoy hearing from to. Such is the case with Michael Plante, Senior Programmer for Short Films at the Sundance Film Festival. I had the good fortune of speaking with Doug Jones, Director of Images Cinema in Williamstown about the Sundance Film Festival Short Film Tour which lands at Images Cinema for one day only — July 4 at 2:30 p.m. Turns out, Doug and Mike are friends from way back. Then Boom! I’ve got one of the countries foremost experts on short films on the line a few days later.
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Fiction: Keypads, Prologue
“Reality is that which, when you stop believing in it, doesn’t go away.”
― Philip K. Dick
Prologue
The promenade took on a subtle, but detectable, shift in mood as the spectrum of dusk oscillated on the glossy, sullen surface of the Housatonic Seaway. Most of the street vendors tended to pack it in an hour or so before dark owing to infrequent foot patrols following recent budget cutbacks. Quite a few of the first floor shops, cafes, and clubs would be open until midnight, though. The brick and mortar establishments tended to have their own muscle at the door, or at least fairly competent security bots. The more committed buskers remained, serenading tourists in love from pools of lamplight just flickering to life on the cobblestones. As the stars winked into existence, so too did sketchier characters whose various trades have been at home on waterfronts everywhere since the invention of the dock.
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![By Toby Hudson (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons](https://i0.wp.com/www.greylockglass.com/wp-content/uploads/2016/09/cantaloupesjpg.jpg?resize=150%2C150&ssl=1)
Review: Kenneth Lonergan’s ‘The Waverly Gallery’ With Annette Miller
We’ve had a running joke in our house about much how we enjoy a production that’s “ultimately life-affirming” after seeing one billed that way years ago. The show was superb, and I wanted to scrub the depressing, kinda icky residue out of my memory with a pumice stone and some strong lye soap for a few days afterwards. The life-affirming part, I think, was that none of the lives portrayed was my own. So I’m going to be cautious in describing The Waverly Gallery, on stage now at Shakespeare & Company.
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Phoenix Rising — 48 Hours in Portland, Maine
By Robin Catalano
Even on a raw, rainy afternoon, with a uniform blanket of cinder-block gray settling over the sky, it’s easy to see why Portland, Maine, has smitten so many travelers. Raindrops the size of lima beans melt down the sides of buildings. The wind whooshes and gusts, cutting through coat sleeves and tossing hats. Atlantic waves wallop the jagged rocks in a spray of white foam. Still, the city seems just as beautiful, and possibly even more transfixing, as it does when there are blue skies for miles over Casco Bay.
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Water, water, everywhere
Nor any drop to drink
The title is a line from The Rime of the Ancient Mariner by Samuel Taylor Coleridge, spoken by a sailor surrounded by a salty sea. The sailor had no choices, but we do. We have available fresh water, for now, and can choose to use tap water, filter it or not, and bypass the aisles of bottled water when we shop. We can choose to help ourselves and Mother Earth.
Keep ReadingFilm Review: The Biggest Little Farm
A folksy, daydream quality suffuses about half the frames of The Biggest Little Farm, out now from NEON, and showing in artsier cinemas and festivals around the country.
This cinematic pixie dust is the film’s greatest strength. It also risks placing the picture, written and directed by acclaimed wildlife photographer, John Chester, precariously at the edge of fictionalized memoir — not through untruth or exaggeration, but omission and artifice.
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To buy or not to buy, that is the question: Wary shoppers slow retail sales
Quarterly financial reports often portend the future. The retail apparel numbers are out for the first quarter of 2019, and they aren’t pretty. Sales dropped by 24 percent, the biggest decline since the first quarter of 2008, when they were a bellwether for the last recession. People aren’t buying clothing. Maybe some of them read my article about how Fast Fashion is contributing to climate change. If not, they should.
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It’s A Painting, It’s A Drawing, It’s A Sculpture, It’s Ceramics, It’s Beautiful — Lauren Mabry: Fused
Enter Ferrin Contemporary, a gallery dedicated to ceramic artists, from MASS MoCA’s parking lot and find your self gazing at an array of beautiful, vibrantly colored vessels, relief paintings, and sculptures. What resemble the most vivid, glistening rubber band-like loops hang from a myriad of pegs on voluminous vessels and relief paintings that are round, rectangular, and square. The inside of each vessel is glazed in unexpected hues that play with the sense of depth and width. This is the work of Lauren Mabry, an artist re-imagining the definition, technique, and outcome of ceramics.
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