The "new Mamet," The Christopher Boy’s Communion conjures up “some of the old black magic” that has assured the playwright a place in theatre history.
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On a sparse stage, and in fine voice, Treat Williams becomes Ulysses S. Grant and asks us to consider the costs of moral courage at a time of national divisiveness.
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Visitors to the opening of "Hostile Terrain" at Gallery 51 experience a representation of deadly US border policy.
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The ultimate diminished monarch consecrates a new stage in King Lear, at Shakespeare & Company, Lenox through August 28.
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“Hey Yolk Bath — Can We Dance?!”: Emerging Artist Series at The Foundry
Q. How do you pack the dance floor on a summer Tuesday in West Stockbridge?
A. Based on this week’s show at The Foundry, featuring Amherst’s Yolk Bath, there are certain elements to attend to.
First and foremost, you’ll need a critical mass of fans.
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