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Review: Kenneth Lonergan’s ‘The Waverly Gallery’ With Annette Miller

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Photo from the play, The Waverly Gallery, (Left to Right) Elizabeth Aspenlieder, Annette Miller, and David Gow; photo by Daniel Rader.
(Left to Right) Elizabeth Aspenlieder, Annette Miller, and David Gow; photo by Daniel Rader.

We’ve had a running joke in our house about much how we enjoy a production that’s “ultimately life-affirming” after seeing one billed that way years ago. The show was superb, and I wanted to scrub the depressing, kinda icky residue out of my memory with a pumice stone and some strong lye soap for a few days afterwards. The life-affirming part, I think, was that none of the lives portrayed was my own. So I’m going to be cautious in describing The Waverly Gallery, on stage now at Shakespeare & Company.

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REVIEW: The Last Days
of Judas Iscariot

Published on

viewed 03/07/19

Before the doors leading into the CenterStage open at the ’62 Center for Theatre and Dance, audience members waiting to see The Last Days of Judas Iscariot are invited to form lines behind three candle-bearers. We are led into a solemn scene lit by a single streetlight, where we stand before a woman who is mourning the death of her child. Another figure sits behind her at a quiet distance. The mother talks about her own pain and the shock of losing a grown son coupled with the excruciating memory of how alone he was in the end. Is this Mary, mother of Jesus?

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