In this episode, we speak with the talented and inspiring Robert Miller, band leader of Project Grand Slam.
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The wit, rather than wisdom, of the ages gives audiences a healthy dose of the medicine that transcends all boundaries in this late season retiree romp.
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The "new Mamet," The Christopher Boy’s Communion conjures up “some of the old black magic” that has assured the playwright a place in theatre history.
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On a sparse stage, and in fine voice, Treat Williams becomes Ulysses S. Grant and asks us to consider the costs of moral courage at a time of national divisiveness.
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Visitors to the opening of "Hostile Terrain" at Gallery 51 experience a representation of deadly US border policy.
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