Cornbread Cafe

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Welcome! brothers and sisters to Episode #5—of the Cornbread Cafe.

Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way. We want to be your new fave hang for the best in a sprawling menu of American Roots music.

In this Episode:

1.  “Double or Nothing,” Western Centuries, Weight of the World
2.  “Brick Wall,” Maggie Baugh, Catch Me
3.  “Balaclava,” Eliza Edens, Lowlight
4. “Voice from on High,” Anna & Elizabeth, Anna & Elizabeth
5.  “All I Have To Do Is Dream,” Honey Whiskey Trio, Stories of Love, Death and Spirits
6.  “Jackie,” The Suitcase Junket, Pile Driver
7.  “Gimme a Pigfoot (and a Bottle of Beer),” Bumper Jacksons, I’ve Never Met a Stranger
8.  “Hot Chicken,” Dom Flemons, Prospect Hill
9.  “The Real Me,” Christian Coleman and The Blue Zen Band, The Singles
10. “Wolfsbane Wine,” Molly Pinto Madigan, The Cup Overflows
11. “I Wonder Where You Are Tonight,” Tony Trischka Territory, Great Big World
12. “Lucky” Comanchero, Thrown
13. “Dying Light,” Oh Susanna, Namedropper

Musician bio info frequently comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video.

Western Centuries

“Double or Nothing” Weight of the World

The worn floor of an old honky­tonk is not usually a place you’d think of as welcoming to bold new experimentation. If you’ve got something new to say, you’d better say it in the form of a brisk two­step that keeps the dancers moving. So it’s doubly impressive that Seattle country band Western Centuries is able to meld wildly disparate influences into an original honky­tonk sound that won’t make dancers miss a step. Formed originally under the name Country Hammer by Americana songwriter Cahalen Morrison, known for his innovative work as an acoustic duo with Eli West, Western Centuries revolves around three principal songwriters–Morrison, Ethan Lawton, and Jim Miller–each with a totally different perspective. Here, Cahalen Morrison channels his New Mexico roots–he grew up exploring lost arroyos and playing drums in a conjunto band–into a kind of blood­red Western drawl. His songs are as influenced by cowboy poetry or his great­grandfather’s Scottish Gaelic poetry as much as his love of George Jones. Ethan Lawton came out of the rough, working­class streets of Seattle’s South end, working in hip­hop and punk before losing his heart to bluegrass. His bone­dry vocals meld intensely with the rocksteady back­beat of his country songs, born from his love of old Jamaican 45s mixed with early bluegrass. Jim Miller comes from the jamband circuit, where he ruled for decades as a founding member of the much­loved band Donna The Buffalo. Throughout, the dancefloor was his temple, and he cribbed ideas from Louisiana Zydeco all the way to the The Band. Western Centuries’ debut album, Weight of the World, released by Free Dirt Records on June 3, 2016, introduces a band of roots music mavericks bringing refreshingly new ideas to their country roots.

Maggie Baugh

“Brick Wall,” Catch Me

Multi-instrumentalist, and singer/songwriter, Maggie Baugh is a young, South Florida based county music sensation! At 17 years old, she has a publishing deal, she is a Nashville Recording artist, singer/songwriter, guitar player and dynamic fiddle player. Maggie Baugh has played fiddle onstage with Neal McCoy and Charlie Daniels Band. (Yes, she is the one that played Devil Went Down to Georgia with Charlie Daniels – http://www.youtube.com/watch?v=ylWjExfL5ew).

Playing guitar and singing, Maggie Baugh has opened in South Florida for Ashley Monroe (of Pistol Annie’s), Craig Morgan, Neal McCoy, Cole Swindell, Phil Vassar, Taylor Hicks, Chase Bryant, Drake White, Josh Dorr, Radio Romance, Drew Baldridge, Montgomery Gentry, John Anderson, Cowboy Troy and Old Southern Moonshine Revival.

Eliza Edens
“Balaclava” Low Light

A native of Western Massachusetts, Eliza has been singing her whole life. Raised on the Beatles and inspired by older folkies Eva Cassidy and Karen Dalton, along with today’s alt-R&B acts Lianne La Havas and James Blake, Eliza ties together disparate influences into her vocal style. With sparse electric guitar textures, wistful melodies, and observational songwriting, her music both enlivens and partakes in the ennui of modern life, belonging somewhere between your tumbledown front porch stoop and a hazy bar in Brooklyn.

Anna & Elizabeth
“Voice from on High” Anna & Elizabeth

Anna & Elizabeth has appeared on stages across the world, including the Cambridge Folk Festival, Brighton Festival, Newport Folk Festival, National Sawdust, Atlanta Museum of Modern Art, Old Town School of Folk Music, Brooklyn Folk Fest; intimate theaters across the U.S., U.K. & Europe; and fellowships to develop their work at the MacDowell Colony, Virginia Center for Creative Arts, and Centrum. They have released two acclaimed full-length albums–Sun to Sun (2012) and Anna & Elizabeth (2015).

In winter 2018, Anna & Elizabeth will release their third full-length album; a continuing progression of their evolving sound. It is co-produced by Anna and Benjamin Lazar Davis (avant-pop outfit Cuddle Magic) and features Jim White of The Dirty Three on drums, and lauded experimental pedal steel player Susan Alcorn (Mary Halvorsen Octet).

Honey Whiskey Trio

“All I Have to Do Is Dream ,” Stories of Love, Death and Spirits

The Honey Whiskey Trio explores harmony in folk, bluegrass and any melody that catches the ear. Through their powerful, yet sweet harmonies, body percussion, haunting melodies and vitality on stage, Honey Whiskey Trio captivates and moves audiences. These storytellers in song found their roots in vocal jazz, all singing in Pacific Standard Time, CSU Long Beach’s award winning vocal jazz ensemble, though at different times. This foundation in jazz gives Honey Whiskey Trio an inherent flexibility to their sound, allowing them to change and adjust their tone to best fit the mood of each song.

In 2013, after singing together for only 5 months, Honey Whiskey Trio won the Harmony Sweepstakes National Competition, also winning Audience Favorite at both the Regional and National sweepstakes. They have gone on to headline the Los Angeles A Cappella Festival, the Women’s A Cappella Association‘s SheSings Festival, the South Eastern Minnesota A Cappella Festival, and have been featured artists at the FAR-West Folk Festival, the Rogue Valley Roots Festival, the Long Beach Folk Revival Festival,and the Shedd Institute for the Arts. Called “One of the most talented vocal harmony groups performing today” by John Neal, Harmony Sweepstakes executive producer and ”One of the very best arrivals this year on my stage. Solid in every way and fully entertaining” by Bob Stane, of The Coffee Gallery Backstage, Honey Whiskey Trio is a group you don’t want to miss experiencing live.

The Suitcase Junket

“Jackie,” Pile Driver

Matt Lorenz sits alone on a suitcase in the center of a complex construction of upcycled cookpots, saw blades and broken chairs. Artist, tinkerer, tunesmith, swamp yankee. A one-man salvage specialist singing into the hollow of a Dumpster guitar, slipping a broken bottleneck onto the slide finger, railing on a box of twisted forks and bones, rocking till every sound is ragged at its edges, till the house is singing back. Then, unplugging all the amps and letting one mountain ballad soar over the raw strings on that guitar. Every night is a hard-driving, blues-grinding, throat-singing search-and-rescue junket. Sooner or later everything rusts, busts, and gets tossed into the junk heap: iron, bones, leather, hot rods, muskrats, the night, theheart. The goal is to recover it. To waste nothing. To create new ways from old. This is The Suitcase Junket.

Matt Lorenz was raised in Cavendish, Vermont, the son of teachers. He learned to sing by copying his sister Kate. (The siblings are two-thirds of the touring trio Rusty Belle.) Lorenz graduated from Hampshire College in Amherst, Massachusetts, in 2004, having taught himself to throat-sing thanks to a South Indian cooking class. On moving day, he pulled his guitar, filled with mold and worse for wear, from a dorm Dumpster. He fixed it up and started pulling songs out of it. That was the beginning.

Bumper Jacksons

“Gimme a Pigfoot (and a Bottle of Beer)” I’ve Never Met a Stranger

The Bumper Jacksons are hot and sweet, painting America’s story from the streets of New Orleans to Appalachian hollers. Unafraid to scrap together new sounds from forgotten 78’s, the Bumper Jacksons boldly and elegantly balance paying homage to the traditions while fashioning their own unique, DIY style. Honored as the region’s 2015 “Artist of the Year” and “Best Folk Band” from 2013-2015 at the Washington Area Music Awards, the Bumper Jacksons are playfully creative with their originals and re-imagining roots music with both power and tenderness. Bursting at the seams with some of the richest threads of old America, Bumper Jacksons bring you into the center of a party where everyone’s invited and the dance floor never sleeps.

Dom Flemons

“Hot Chicken,” Dom Flemons, Prospect Hill

A Phoenix Native, Flemons’ involvement with music began by playing percussion in his high school band. After picking up the guitar and harmonica, he began to play coffee houses and became a regular on the Arizona folk music scene. During that period Flemons wrote his own songs and produced 25 albums of singer-songwriters and slam poets, including six albums of his own. A multi-instrumentalist, Flemons plays banjo, guitar, harmonica, fife, bones, bass drum, snare drum, and quills, in addition to singing. His banjo repertoire includes not only clawhammer but also tenor and three-finger styles of playing. As a founding member of the Carolina Chocolate Drops, he was able to explore his interest in bringing traditional music to new audiences.

Christian Coleman and The Blue Zen Band

“The Real Me,” The Singles

Mama Died and Left Me
Papa Died and Left Me
Raised by Wolves on The Mean Streets

Christian Coleman is a 25 year veteran of the Wasatch Front Music Scene. Described as “Bob Dylan meets Muddy Waters”, his solo repertoire consists of Decades of Original Material combined with Classic Blues material from the 1940’s to the present, and Americana Classics that define the Contemporary American Songbook. A One-Man juggling act of Vocals, Guitar, and Harmonica, Christian always brings a signature passion and trademark intensity to every performance!!!

Molly Pinto Madigan

“Wolfsbane Wine” The Cup Overflows

Molly Pinto Madigan, the silver-throated leading lady of the erstwhile folk/roots combo, has released a new CD, “The Cup Overflows.” Molly invited me to share a track from this collection with you, and I had a tough time deciding between them all.

 (from her bio)

“Hailed for her angelic voice and haunting compositions, Molly Pinto Madigan won first place in WUMB’s Boston Folk Festival Songwriting Contest and was named “Artist of the Year” at Salem State University, her alma mater. Since her debut as the lead singer for the teen bluegrass band Jaded Mandolin, Madigan has submerged herself in the dark, luscious world of ballads, drawn to their magic, and her original songs echo with the whisperings of the American and European traditional music.”

Tony Trischka Territory

“I Wonder Where You Are Tonight” Great Big World

Trischka, 2012 United States Artists Friends Fellow, is considered to be the consummate banjo artist and perhaps the most influential banjo player in the roots music world. For more than 45 years, his stylings have inspired a whole generation of bluegrass and acoustic musicians with the many voices he has brought to the instrument.

A native of Syracuse, New York, Trischka’s interest in banjo was sparked by the Kingston Trio’s “Charlie and the MTA” in 1963. Two years later, he joined the Down City Ramblers, where he remained through 1971. That year, Trischka made his recording debut on 15 Bluegrass Instrumentals with the band Country Cooking; at the same time, he was also a member of America’s premier sports-rock band Country Granola. In 1973, he began a three-year stint with Breakfast Special. Between 1974 and 1975, he recorded two solo albums, Bluegrass Light and Heartlands. After one more solo album in 1976, Banjoland, he went on to become musical leader for the Broadway show The Robber Bridegroom. Trischka toured with the show in 1978, the year he also played with the Monroe Doctrine.

Comanchero

“Lucky,” Thrown

Since 2003, Comanchero has crafted an Americana sound that combines old traditions with new, Country with Rock, Bluegrass with Blues, Honky-Tonk with Funk, and Roots with Rockabilly. While unique in their own sound, there is something strikingly familiar in Comanchero’s songs that weave influences ranging from The Allman Brothers, The Band, Little Feat, & Led Zeppelin, to today’s contemporaries such as Wilco, The Drive -By Truckers, & Mumford & Sons.

Highlights:
– Boston’s Americana Jam Band since 2003
– Four studio albums
– Songs licensed by PBS (Road Trip Nation) and ABC (20/20 with Diane Sawyer)
– Direct support for artists such as: ZZ Top, Crosby, Stills & Nash, The Yardbirds, & Passion Pit
– Winner of Relix Magazine’s “Jam Off” competition & featured in magazine and monthly CD
– Nominated by Red Line Roots for Favorite Local Rock and Rollers
– Over 500 performances including international (Ireland, UK tour)

Oh Susanna

“Dying Light,” Name Dropper

Suzie Ungerleider began performing as Oh Susanna in the mid-1990s, crafting a persona that matched the timeless qualities of her music, sounds that drew from the deep well of early 20th Century folk, country and blues, yet rooted in her finely-honed storytelling skills. This Canadian songstress has a voice that can pierce a heart of stone. Her superbly crafted songs often tell stories of troubled souls who rebel against their circumstances to attain a quiet dignity. These are tales of longing and love, of small town joys and pains, of our simple feelings and strong passions. These are tales that look into our beautifully flawed human hearts.

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