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TLC #76: Global Climate Strike and Jamie Margolin on the climate crisis

In this episode, we speak to Williamstown residents Anne O’Connor and Molly Polk, who assisted local youths in preparing signs to display during the Global Climate Strike actions Friday, September 20. The event in Williamstown begins at 4:00 p.m. in front of the First Congregational Church.

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Arts & Entertainment

Photo of indigenous American dancer in traditional ceremonial attire: The Land On Which We Dance Inside/Out Performance; photo byGrace Kathryn Landefeld.
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This Land Is Our Land

An Arapaho proverb says, “All plants are our brothers and sisters. They talk to us, and if we listen, we can hear… Keep Reading

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Food & Drink

Juliete tomatoes on the vine; photo by Jason Velázquez
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Dried tomatoes: Summer’s bounty becomes winter’s secret ingredient

As you who follow my food rants know, I’m a big fan of the dehydrator. In mid-September mine has one major task—drying tomatoes. This year the fruit of choice is the Juliet grape tomato. A bounty of them will provide the special touch to the soups, stews, and pasta dishes of winter. Keep Reading

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Green beans and carrots: Good individually, spectacular baked together

A ridiculously small space can yield massive taste and nutrition. Green beans picked right off the vine in your yard have a taste you'll remember — especially when you combine them with their BBF, the humble carrot, and some spices.
• Green beans and carrots, ready to go in the oven; photo by Sheila Velazquez. Keep Reading

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The Sea Is All About Us

Based on outer appearances, you might be tempted to lump Gloucester in with other picturesque coastal areas of the Northeast. But this… Keep Reading

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WDIJW? (What Did I Just Watch?)

Screenshot from The Absence of Eddy Table, by Rune Spaans; source: Vimeo.
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WDIJW? The Absence of Eddy Table

The Absence of Eddy Table, by Rune Spaans, is a short animated flick that contains some of the exact elements that inspired the “What Did I Just Watch” series. It’s twisted. It’s dark. Its brilliant. Enjoy! The Absence of Eddy Table from Rune Spaans on Vimeo. Keep Reading

Fiction: Keypads, Prologue

“Reality is that which, when you stop believing in it, doesn’t go away.”
― Philip K. Dick

Prologue


The promenade took on a subtle, but detectable, shift in mood as the spectrum of dusk oscillated on the glossy, sullen surface of the Housatonic Seaway. Most of the street vendors tended to pack it in an hour or so before dark owing to infrequent foot patrols following recent budget cutbacks. Quite a few of the first floor shops, cafes, and clubs would be open until midnight, though. The brick and mortar establishments tended to have their own muscle at the door, or at least fairly competent security bots. The more committed buskers remained, serenading tourists in love from pools of lamplight just flickering to life on the cobblestones. As the stars winked into existence, so too did sketchier characters whose various trades have been at home on waterfronts everywhere since the invention of the dock.

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Review: Kenneth Lonergan’s ‘The Waverly Gallery’ With Annette Miller

Photo from the play, The Waverly Gallery, (Left to Right) Elizabeth Aspenlieder, Annette Miller, and David Gow; photo by Daniel Rader.
(Left to Right) Elizabeth Aspenlieder, Annette Miller, and David Gow; photo by Daniel Rader.

We’ve had a running joke in our house about much how we enjoy a production that’s “ultimately life-affirming” after seeing one billed that way years ago. The show was superb, and I wanted to scrub the depressing, kinda icky residue out of my memory with a pumice stone and some strong lye soap for a few days afterwards. The life-affirming part, I think, was that none of the lives portrayed was my own. So I’m going to be cautious in describing The Waverly Gallery, on stage now at Shakespeare & Company.

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Phoenix Rising — 48 Hours in Portland, Maine

The City of Portland, Maine rises above the waters of Portland Harbor, which is filled with sailing vessels and pleasure boats. The landmark Time and Temperature building can be seen, reading 5:39; photo by Benjamin Williamson.

By Robin Catalano

Even on a raw, rainy afternoon, with a uniform blanket of cinder-block gray settling over the sky, it’s easy to see why Portland, Maine, has smitten so many travelers. Raindrops the size of lima beans melt down the sides of buildings. The wind whooshes and gusts, cutting through coat sleeves and tossing hats. Atlantic waves wallop the jagged rocks in a spray of white foam. Still, the city seems just as beautiful, and possibly even more transfixing, as it does when there are blue skies for miles over Casco Bay.

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Water, water, everywhere
Nor any drop to drink

Photograph: Public water fountain. Newly installed public water fountains in high traffic/athletic areas grant near luxury-level access to the most basic of human needs; photo by Sheila Velazquez.
Newly installed public water fountains in high traffic/athletic areas grant near luxury-level access to the most basic of human needs; photo by Sheila Velazquez.

The title is a line from The Rime of the Ancient Mariner by Samuel Taylor Coleridge, spoken by a sailor surrounded by a salty sea. The sailor had no choices, but we do. We have available fresh water, for now, and can choose to use tap water, filter it or not, and bypass the aisles of bottled water when we shop. We can choose to help ourselves and Mother Earth.

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Film Review: The Biggest Little Farm

Emma, the pig, and Mr. Greasy, the rooster, are frequent scene-stealers in The Biggest Little Farm, showing just what's possible with a little inter-species understanding; NEON.
Emma, the pig, and Mr. Greasy, the rooster, are frequent scene-stealers in The Biggest Little Farm, showing just what's possible with a little inter-species understanding; NEON.

A folksy, daydream quality suffuses about half the frames of The Biggest Little Farm, out now from NEON, and showing in artsier cinemas and festivals around the country.

This cinematic pixie dust is the film’s greatest strength. It also risks placing the picture, written and directed by acclaimed wildlife photographer, John Chester, precariously at the edge of fictionalized memoir — not through untruth or exaggeration, but omission and artifice.

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To buy or not to buy, that is the question: Wary shoppers slow retail sales

Mannequins doing their best to incite consumer desire; photo by George Shervashidze, from Pexels
Mannequins doing their best to incite consumer desire; photo by George Shervashidze, from Pexels

Quarterly financial reports often portend the future. The retail apparel numbers are out for the first quarter of 2019, and they aren’t pretty. Sales dropped by 24 percent, the biggest decline since the first quarter of 2008, when they were a bellwether for the last recession. People aren’t buying clothing. Maybe some of them read my article about how Fast Fashion is contributing to climate change. If not, they should.

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It’s A Painting, It’s A Drawing, It’s A Sculpture, It’s Ceramics, It’s Beautiful — Lauren Mabry: Fused

Abstract scupture by Lauren Mabry, Loopy Cylinder Black Textured with Striped Interior Detail, ceramic; photo by Sara Farrell Okamura
Lauren Mabry, Loopy Cylinder (Black Textured with Striped Interior), detail, ceramic; photo by Sara Farrell Okamura

Enter Ferrin Contemporary, a gallery dedicated to ceramic artists, from MASS MoCA’s parking lot and find your self gazing at an array of beautiful, vibrantly colored vessels, relief paintings, and sculptures. What resemble the most vivid, glistening rubber band-like loops hang from a myriad of pegs on voluminous vessels and relief paintings that are round, rectangular, and square. The inside of each vessel is glazed in unexpected hues that play with the sense of depth and width. This is the work of Lauren Mabry, an artist re-imagining the definition, technique, and outcome of ceramics.

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Unsung Eats: Valhalla, Adams — mythic taste, priced for mere mortals

The aptly named burger, "The Balder," bravely adorns itself with lettuce, roasted tomatoes, and onions, allowing it's brave flavors to shine through. Highly recommended side item? The hand cut wedge fries; photo by James Kennedy.
"The Balder" burger bravely adorns itself with lettuce, roasted tomatoes, and onions, allowing its flavors to shine through. Recommended side item? Amazing hand cut wedge fries; photo by James Kennedy.

Here at Unsung Eats we usually have to search out the rare gems for great food at a good value but in this particular case the eatery found us.  We kept hearing, “Hey, have you tried Valhalla yet?” and when the Greylock Glass ran its Greylock Nation’s Greatest: 2019 readers poll, it was Valhalla Eatery in Adams that kept on popping up, so we knew who was going on the short list.

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Mighty Thunders and Borrowed Light open 2019 season at Hancock Shaker Village

Barbara Ernst Prey, School Room, 2019, watercolor on paper; [source Hancock Shaker Village].
Barbara Ernst Prey, School Room, 2019, watercolor on paper; [source Hancock Shaker Village].

by Jason Velázquez

This is the Top Left Corner. Today is Saturday, May 25, and you’re listening to episode #72. I’m your host, Jason Velazquez, and as always, thank you for tuning in. We have a huge show for you this week. We start off with a short hop over to Lenox where we check in with Shakespeare & Company, whose 2019 season kicks off with the Wavery Gallery. Then we spend the remainder of our show at Hancock Shaker Village, which begins its season with the opening of two major installations, Borrowed Light: Barbara Ernst Prey, and While Mighty Thunders Roll: Popular Artists Sing the Shakers, produced by Jeffrey Gaskill. We’ll finish up with some key segments of my conversation with Matt Lorenz known by his one-man band — The Suitcase Junket. Oh, and we’ve got some boss tracks from his new album to share with you, too.

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Forget Everything You Think About New York State Wine

Photo by Kai-Chieh Chan from Pexels
Photo by Kai-Chieh Chan from Pexels

by Nancy Koziol

I was living in Brooklyn on September 11, 2001. I was three years into the dumpster fire of my twenties and in more danger than I’ve ever been in my life. It wasn’t the attacks—the carnage and violence erupting in my city—that put me at risk. I was safely across the river. No, it was me who was responsible for the aforementioned inferno, but 9/11 that helped me start to put out the blaze.

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Game of Thrones Has a Serious Girl Problem

Composite image of familiar "Game of Thrones" faces Lena Headey as Cersei Lannister, Maisie Williams as Arya Stark, and Emilia Clarke as Daenerys Targaryen; HBO.
Composite image of familiar "Game of Thrones" faces Lena Headey as Cersei Lannister, Maisie Williams as Arya Stark, and Emilia Clarke as Daenerys Targaryen; HBO.

Like most of the civilized world, I’ve zealously planted myself in front of the TV on Sunday nights for the past eight years to watch Game of Thrones unfold. I’ve largely enjoyed it, at least up until the rush-to-the-finish seasons 7 and 8, which have packed far too much character development and time hopping into a handful of episodes (how did Jaime Lannister and Arya Stark get to King’s Landing so quickly?), in an effort to tie up loose ends dangled but not yet resolved by author George R. R. Martin’s source material. As the series marches toward its final episode this weekend, I’ve come to realize that beyond poor pacing, there’s something more I deeply dislike about it: Game of Thrones has a girl problem.

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