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Review

Dance Review: A.I.M by Kyle Abraham

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Photo of a group of eight dancers, in a cluster formation, all in the same pose, leaning backward: A.I.M in "Drive"; photo by Grace Kathryn Landefeld.
A.I.M in "Drive"; photo by Grace Kathryn Landefeld.

Kyle Abraham is looking for something. The multi-award-winning choreographer and MacArthur Fellow, whose company, A.I.M by Kyle Abraham, makes its mainstage debut at Jacob’s Pillow this week, brings his signature search for identity and struggle with personal and societal emotional trauma to a packed, five-dance program.

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Film Review: The Biggest Little Farm

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Emma, the pig, and Mr. Greasy, the rooster, are frequent scene-stealers in The Biggest Little Farm, showing just what's possible with a little inter-species understanding; NEON.
Emma, the pig, and Mr. Greasy, the rooster, are frequent scene-stealers in The Biggest Little Farm, showing just what's possible with a little inter-species understanding; NEON.

A folksy, daydream quality suffuses about half the frames of The Biggest Little Farm, out now from NEON, and showing in artsier cinemas and festivals around the country.

This cinematic pixie dust is the film’s greatest strength. It also risks placing the picture, written and directed by acclaimed wildlife photographer, John Chester, precariously at the edge of fictionalized memoir — not through untruth or exaggeration, but omission and artifice.

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