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Zorsha Taylor Suich

Zorsha Taylor Suich is an English Lit and Creative Writing student at UEA with a love for writing, culture, and vintage style. She is the fashion section editor for Concrete, UEA’s newspaper, and an Oxfam shop volunteer, which both employ her love for artistic expression through clothing and personal style. She aims to promote sustainable practices through her content calls, volunteering, and newspaper articles. Presently, she is interested in Cottagecore and takes her inspiration from Pinterest, film, and the high street. Other interests include classic literature, period dramas, classic rock, the 1960s and 1970s, tarot reading, video essays, and the sociology of alternative subcultures.

The Individualisation of Fashion,
Part Two: Post-Recession Internet
and Tumblr Aesthetics

May 15, 2022
Culture/Leisure and Lapels

Fashion, identity, expression — while the world reeled from almost unthinkable financial collapse, a new generation created and reflected a vibrant cultural

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The Individualisation of Fashion, Part One: Individualism and Hipstermania

March 12, 2022
Analysis/Culture/Fashion/Leisure and Lapels/News/Opinion

It's not you. You're not able to keep up with cool. You're not supposed to. Greylock Glass culture critic Zorsha Taylor Suich

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Thomasin McKenzie and Anya Taylor-Joy start in a scene from Last Night in SOHO

Leisure and Lapels — Analysis:
Last Night in Soho

December 11, 2021
Film/Leisure and Lapels

A girl experiencing her transition into fashion college becomes an outcast due to her obsession with the ‘Swinging Sixties’.

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Leisure and Lapels
A Modern Ritual:
Hallowe’en and The Carnivalesque

October 21, 2021
Culture/Leisure and Lapels/News

With costumes and parties on the minds of many, this month Leisure and Lapels analyses the popular holiday, examining Hallowe'en's origins, modern

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Leisure and Lapels My Neighbour Totoro: The Inner Child, Yōkai, and Kids’ Imaginations

September 25, 2021
Culture/Leisure and Lapels/News

After I shoved speculations about fan theories and symbolism aside, I realised I had been looking at My Neighbour Totoro wrong.

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