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Sara Farrell Okamura

Sara Farrell Okamura, a resident of North Adams, is an artist, arts educator, and writer.

It’s A Painting, It’s A Drawing, It’s A Sculpture, It’s Ceramics, It’s Beautiful — Lauren Mabry: Fused

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Abstract scupture by Lauren Mabry, Loopy Cylinder Black Textured with Striped Interior Detail, ceramic; photo by Sara Farrell Okamura

Enter Ferrin Contemporary, a gallery dedicated to ceramic artists, from MASS MoCA’s parking lot and find your self gazing at an array of beautiful, vibrantly colored vessels, relief paintings, and sculptures. What resemble the most vivid, glistening rubber band-like loops hang from a myriad of pegs on voluminous vessels and relief paintings that are round,

Panther on the Prowl:
Katherine Bernhardt GOLD

Katherine Bernhardt, Love Online, Acrylic and spray paint on canvas; photo by Sara Farrell Okamura.

While making your way through Hudson Valley’s pastoral countryside, it is easy to understand what inspired the Hudson River School of painters such as Thomas Cole and Federic Edwin Church. Your destination is Ghent, New York, a present day farming community about 20 or so miles north of the city of Hudson, and Olana, Church’s

What We Leave Behind

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Dan Devine, Calf, plaster detail; Dan Devine, Calf, plaster; Giroux Gallery (photo: Sara Farrell Okamura).

Impact, New Works by Dan Devine, Thompson Giroux Gallery Enter Thompson Giroux Gallery in Chatham, New York from now until May 5 and you are walking into Impact, the latest body of work by Dan Devine. Chalky white plaster sculptures cast from the metal remains from collisions and crashes are installed throughout the space. On

The Body Stops Here:
Works by Keiko Narahashi and Sarah Peters.

Installation, The Body Stops Here: Keiko Narahashi & Sarah Peters, Usdan Gallery, Bennington College; photo by Sara Farrell Okamura.

Editor’s Note: This exhibit closes March 31, 2019. After arriving at Bennington campus through wrought iron gates, you ascend a meandering road until you reach the crest of a hill. Before you is a behemoth of a building—a 1000,000 square foot cathedral of wooden high beams and glass, dedicated to creating something from nothing in

Trenton Doyle Hancock
Mind of the Mound: Critical Mass

A Once in A Lifetime Odyssey “At some point I realized the fractured self is the true self, and that to go by the script society gives, telling you that you only have this one road that you can go down, is actually the antithesis of the American dream. Trenton Doyle Hancock, Interview with Katy

Jane Hudson, recent paintings: an artists’ artist in our midst

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Enough Said, II,, Jane Hudson; acrylic on canvas, 24” × 30”, [source, the artist].

“Our hearing of colours is so precise … Colour is a means of exerting a direct influence upon the soul. Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposely sets the soul vibrating by means of this or that

The Immortal Material

Vik Muniz, "Sarah Bernhardt from Rebus," 2010, digital C-print. Collection of the Palmer Museum of Art, 2011.25. [Source: Vik Muniz, courtesy of Sikkema Jenkins & Co., New York].

Plastic Entanglements: Ecology, Aesthetics, MaterialsSmith College Museum of Art Plastic. In most cases it is imperishable, non-biodegradable, and close to everlasting. It is so ubiquitous in our life that we barely notice how much we use. According to the New York Times article, The Immense, Eternal Footprint Humanity leaves on Earth: Plastics (7.1. 2018) by

17 Years Boy: Epilogue
Works by Dr. Imo Nse Imeh

Imo Nse Imeh, Ovation, mixed media/canvas, 2018; [Source: artist / Readywipe Gallery]

“ To me, this new body of work symbolizes the challenging, yet beautiful journey down the path of healing, to transform the horror of unspeakable tragedy into a renewed sense of life and celebration, I wanted to make something new, I wanted it to be reflective of a dark past, but also hopeful for the

School Vacations! New Spring Exhibits!

School vacations are upon us! In addition, a welcome sign winter will not last forever-new spring exhibits are beginning to pop up everywhere! You can drive within an hour and view a recently opened exhibit composed of internationally renowned artists whose work has focused on sugar, both the sweet and sour aspects, at the Tang

Two Distinct Exhibits In A Historic Building

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Terry Winters, Untitled (2), 1999; gouache on paper, 44 1/4 X 30 1/2 inches; private collection [Source: Matthew Marks Gallery]

Xylor Jane: Counterclockwise & Terry Winters: Facts & Fiction “I saw it in New York,” or “I saw it in the city” is an often-heard response when an exhibit of well established artists come to the mountains and valleys of western Massachusetts. It happens all the time at MASS MoCA. My response generally is, “Well,

New Shows! New Performances! Not to be missed!

Paul Feeley, 1910-196; A Girl With A Doll, in Works on Paper: A Decade of Collecting [source: Bennington Museum]

Supposedly, February is the off-season for cultural happenings in the Berkshires and neighboring communities. Don’t believe it! From Rensselaer Polytechnic Institute’s incredible Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) in Troy, New York, to Bennington Museum in Bennington, Vermont, to Smith College Museum of Art’s opening exhibit, Plastic Entanglements, Ecology, Aesthetics, Materials,

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