Sara Farrell Okamura, a resident of North Adams, is an artist, arts educator, and writer.
Enter Ferrin Contemporary, a gallery dedicated to ceramic artists, from MASS MoCA’s parking lot and find your self gazing at an array of beautiful, vibrantly colored vessels, relief paintings, and sculptures. What resemble the most vivid, glistening rubber band-like loops hang from a myriad of pegs on voluminous vessels and relief paintings that are
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A new exhibition aims to create a space of understanding and empathy in a deceptive and violent world about which many of use have ceased to be shocked.
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While making your way through Hudson Valley’s pastoral countryside, it is easy to understand what inspired the Hudson River School of painters such as Thomas Cole and Federic Edwin Church. Your destination is Ghent, New York, a present day farming community about 20 or so miles north of the city of Hudson, and Olana, Church’s
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Impact, New Works by Dan Devine, Thompson Giroux Gallery
Enter Thompson Giroux Gallery in Chatham, New York from now until May 5 and you are walking into Impact, the latest body of work by Dan Devine. Chalky white plaster sculptures cast from the metal remains from collisions and crashes are installed throughout the space. On the
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Editor’s Note: This exhibit closes March 31, 2019.
After arriving at Bennington campus through wrought iron gates, you ascend a meandering road until you reach the crest of a hill. Before you is a behemoth of a building—a 1000,000 square foot cathedral of wooden high beams and glass, dedicated to creating something from nothing in visual
MoreA Once in A Lifetime Odyssey
“At some point I realized the fractured self is the true self, and that to go by the script society gives, telling you that you only have this one road that you can go down, is actually the antithesis of the American dream.Trenton Doyle Hancock, Interview with Katy Henriksen,
More![Enough Said, II,, Jane Hudson; acrylic on canvas, 24” × 30”, [source, the artist].](https://i0.wp.com/www.greylockglass.com/wp-content/uploads/2019/03/enough-said_sm.jpg?fit=1024%2C836&ssl=1)
“Our hearing of colours is so precise … Colour is a means of exerting a direct influence upon the soul. Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposely sets the soul vibrating by means of this or that
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Plastic Entanglements: Ecology, Aesthetics, MaterialsSmith College Museum of Art
Aurora Robson, Isla, 2014; Plastic debris (PET + HDPE), aluminum rivets, tinted polycrylic, and mica powder; [Source: Aurora Robson].
Plastic. In most cases it is imperishable, non-biodegradable, and close to everlasting. It is so ubiquitous in our life that we barely notice how much we use. According to
More![Paul Feeley, 1910-196; A Girl With A Doll, in Works on Paper: A Decade of Collecting [source: Bennington Museum]](https://i2.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/Girl-With-A-Doll-1.jpg?resize=150%2C150&ssl=1)
![Imo Nse Imeh, Ovation, mixed media/canvas, 2018; [Source: artist / Readywipe Gallery]](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/Imo-Nse-Imeh_Ovation.jpg?fit=682%2C1024&ssl=1)
“ To me, this new body of work symbolizes the challenging, yet beautiful journey down the path of healing, to transform the horror of unspeakable tragedy into a renewed sense of life and celebration, I wanted to make something new, I wanted it to be reflective of a dark past, but also hopeful for the
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Emily Eveleth, Big Pink, 2016, oil on canvas, [Source: the Artist and Danese/Corey, New York] on view: Like Sugar, Tang Teaching Museum
School vacations are upon us! In addition, a welcome sign winter will not last forever-new spring exhibits are beginning to pop up everywhere! You can drive within an hour and view a recently opened
More![Imo Nse Imeh, Ovation, mixed media/canvas, 2018; [Source: artist / Readywipe Gallery]](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/Imo-Nse-Imeh_Ovation.jpg?resize=150%2C150&ssl=1)
![Terry Winters, Untitled (2), 1999; gouache on paper, 44 1/4 X 30 1/2 inches; private collection [Source: Matthew Marks Gallery]](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/48c88952a8ec7dfbd7041827a6e46bee86e8c132.jpg?resize=150%2C150&ssl=1)
![Terry Winters, Untitled (2), 1999; gouache on paper, 44 1/4 X 30 1/2 inches; private collection [Source: Matthew Marks Gallery]](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/48c88952a8ec7dfbd7041827a6e46bee86e8c132.jpg?fit=713%2C1024&ssl=1)
Xylor Jane: Counterclockwise & Terry Winters: Facts & Fiction
“I saw it in New York,” or “I saw it in the city” is an often-heard response when an exhibit of well established artists come to the mountains and valleys of western Massachusetts. It happens all the time at MASS MoCA. My response generally is, “Well, did
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![Paul Feeley, 1910-196; A Girl With A Doll, in Works on Paper: A Decade of Collecting [source: Bennington Museum]](https://i2.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/Girl-With-A-Doll-1.jpg?fit=807%2C1024&ssl=1)
Supposedly, February is the off-season for cultural happenings in the Berkshires and neighboring communities. Don’t believe it! From Rensselaer Polytechnic Institute’s incredible Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) in Troy, New York, to Bennington Museum in Bennington, Vermont, to Smith College Museum of Art’s opening exhibit, Plastic Entanglements, Ecology, Aesthetics, Materials,
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