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microfiction

“Wherefore, Egypt?” — Microfiction

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by Jason Velázquez
“¿Mamá?” Esperanza’s question reverberates musically in the back of the Econoline, “¿Will I get to meet my papá?”
Dolores strokes the 11-year-old’s hair with one hand as the other glides reflexively to where, under her oil-stained work shirt, a circular pattern of raised, and occasionally sensitive, skin is a lighter color than the surrounding

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The lush, stone-walled Italian Garden at The Mount provides a respite from Northeastern summer heat and humidity; early morning photo by Kevin Sprague.

I Am Going to Leave Her Here

The Mount as Edith Wharton’s Feminist Manifesto
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The lush, stone-walled Italian Garden at The Mount provides a respite from Northeastern summer

FICTION: “A Contest of Wills”

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“A Contest of Wills”
by Jason Velázquez
A few wire hangers bobbed back and forth absently, out of time, in the closet on his side of the bed. The deflated heap composed of grey wool socks, jeans, boxers, flannel shirt, and tee shirt huddled apologetically on the floor in front of the nightstand.

“You can damn well sit

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Villagers scour rubble after the bombing of Hajar Aukaish, Yemen, April 2015; photo by Almigdad Mojalli.

Cole Harrison on Senate vote on Saudi-led war in Yemen

https://media.blubrry.com/cornbread_cafe/p/www.greylockglass.com/podcasts/growl/gg_g_20181203_ep06.mp3Podcast (growl): Play in new window | DownloadSubscribe: RSS
In this episode of Growl, we speak with Cole Harrison, Executive Director

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