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Environmentally radical views of Turner & Constable

“Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water,” Joseph Mallord William Turner, English, 1775–1851; 1840, Oil on canvas; Acquired by Sterling and Francine Clark, 1932
“Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water,” Joseph Mallord William Turner, English, 1775–1851; 1840, Oil on canvas; Acquired by Sterling and Francine Clark, 1932

“The sun is God”

— (attributed to) J.M.W. Turner 

Yes! Turner & Constable, 19th century artists, present two environmentally progressive perspectives of the natural world on view at the Clark Art Institute. The exhibit, Turner & Constable: The Inhabited Landscape, compares and contrasts two entirely different styles of painting that both elevated the genre of landscape painting beyond historical and mythological works while recognizing the invincibility of nature and our intrinsic human dependency upon it. Keep Reading

INDIEcent Exposure #30: “Training of Poe”—Bella Vendetta Interview • Paper City Exile

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Will Call #2 — An Eclipse of Memory; It’s Just a Jump to the Left; Wildwood Bride

Ectopistes migratorius, watercolor by Louis Agassiz Fuertes
Ectopistes_migratoriusAAP042CA-1
Passenger Pigeon, Ectopistes migratorius; watercolor by Louis Agassiz Fuertes; 1910–1914

 

 

For this, our second episode of “Will Call,” we were extremely fortunate to have two special guests, as well as a single from a brand new music CD release.

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