Editors Note: What does it mean when we say that someone is a “pillar of the community?” How you answer depends a lot on your experiences and intersections with the people who, in your mind, help support and strengthen the areas of local life that are most important to us. In this new series, we’ll
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The dance world has been slow to let go of certain stereotypes. Chief among them might just be that men shouldn’t dance en pointe, and that romantic love is best expressed by men and women dancing together.
Which is one of the reasons that Les Ballets Trockadero de Monte Carlo, the 45-year-old, New York City–based company
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![Imo Nse Imeh, Ovation, mixed media/canvas, 2018; [Source: artist / Readywipe Gallery]](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2019/02/Imo-Nse-Imeh_Ovation.jpg?fit=682%2C1024&ssl=1)
“ To me, this new body of work symbolizes the challenging, yet beautiful journey down the path of healing, to transform the horror of unspeakable tragedy into a renewed sense of life and celebration, I wanted to make something new, I wanted it to be reflective of a dark past, but also hopeful for the
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Photography is always history, or a moment caught in time. Possible Selves demonstrates how queer communities chronicled love, political action, joy, and all encompassing sensuality through portraiture.
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!["The Maples," created by Natalie Jeremijenko; photo by Beyond My Ken (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/4.0-3.0-2.5-2.0-1.0)], via Wikimedia Commons Tree-mancipation Day!](https://i1.wp.com/www.greylockglass.com/wp-content/uploads/2016/11/1024px-MASS_MoCA_main_entrance.jpg?fit=1024%2C662&ssl=1)
No doubt about it, museums are expensive. In the Berkshires we live in an area where culture is a primary industry and museums are a major segment of that industry. Everyone tells us, from healthcare professionals to educators, that art is great for you and your family—and it is. But…how can you participate or be
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The 10×10 Upstreet Arts Festival returns to Dottie’s in 2017!
You’re listening to micro-episode 55.9, in which I have speak with very special guest Tom Attila Lewis about the 10X10 Comedy Show. Are you anxious to find out if I managed to keep this episode
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![Barbara Ernst Prey, School Room, 2019, watercolor on paper; [source Hancock Shaker Village].](https://i2.wp.com/www.greylockglass.com/wp-content/uploads/2019/05/School_Room.jpg?resize=150%2C150&ssl=1)
We caught up with the Matchstick Architects as they waited for the first shipment of CDs of their latest effort, “All That’s In Between,” to arrive. I don’t know about you, but I LOVE that “new LP smell.” We spoke with Dar Maloney and Tom Conklin (Diane Davis was unavailable) about the what the guts
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You’ll probably never know how many times your best friend has saved your ass.
Omelette from Madeline Sharafian on Vimeo.
“Finally my 2nd Calarts film is completed! It feels really great to make a more personal film this year, now that I know the ropes of filmmaking a bit better. I wanted to make something that focuses
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William Shakespeare’s “The Tempest” brings together some very talented local flotsam.
In this episode, we were lucky enough to catch Enrico Spada, founder and artistic director of Pittsfield Shakespeare in the Park, with a little time to to talk about the 2016 presentation of William
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Governor Charlie Baker issued a budget veto on July 8 that would slash funding for the arts, humanities, and sciences through the Massachusetts Cultural Council (MCC) by more than half. The cut would exceed the value of MCC’s two largest grant programs, reducing state
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Governor Charlie Baker issued a budget veto on July 8 that would slash funding for the arts, humanities, and sciences through the Massachusetts Cultural Council (MCC) by more than half. The cut would exceed the value of MCC’s two largest grant programs, reducing state
http://media.blubrry.com/cornbread_cafe/p/www.greylockglass.com/podcasts/willcall/gg_wc_20160715_ep045.mp3
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Like Summer itself, “Orpheus in the Berkshires” enters the scene with a flourish. A wildflower bouquet of textures and colors, the piece immediately charms, providing just the right touch at this season’s picnic of theatre offerings.
In its creation, the production of “Orpheus,” from the
