David Eppel shares thoughts on apartheid, creativity in the shadow of oppression, and his 35 years as a professor of theatre at Williams College
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https://media.blubrry.com/cornbread_cafe/p/www.greylockglass.com/podcasts/willcall/gg_wc_20171109_ep062.mp3Podcast (will-call): Play in new window | DownloadSubscribe: Apple Podcasts | Android | RSSThis is Will Call, #62—We travel this episode to somewhere in the Midwest to meet high school women’s soccer team The Wolves. Rather we’ll speak with Misha Chowdhury, who directs this Williams Theatre Department staging of Sarah DeLappe’s 2017 Pulitzer Prize Finalist
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Amy Holzapfel Chair, Associate Professor of Theatre at Williams College, moderates a discussion about the politics of participatory performance, and the lessons and practices it can share with democratic assembly in public space. She is joined by panelists, Bryan Doerries, Director, Antigone
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Breaking the Glass Grid: Gender and Transgender Bias Across the Performing Arts Industry
This is Episode #56 of Will Call, here at the Greylock Glass, released Tuesday, February 28, 2017. I’m your host, Jason Velazquez, and I hope you’ve been enjoying our opening
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Amiée Gelinas keeps the beat of international percussion in sync with the the pulse of conservation.
PLUS: Kameron Steele directs Federico García Lorca’s “Blood Wedding” at the ’62 Center
The 6th Annual Drum and Dance Fest is a fundraiser for the Tamarack Hollow Nature &
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Artistic Director Paul Sturtz and Managing Director Sandra Thomas discuss the new format, film making, and efforts to make the Wind-Up Fest increasingly inclusive.
Since 1999,the Williamstown Film Festival has brought the finest contemporary films, directors and actors to the pastoral hills of
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Pi Valley Faves, The Sun Parade march into the Berks for TWO shows this month.
PLUS: Kris Delmhorst—TONIGHT at the BarN
ALERT: Consider PREPARING for the possible landfall of Hurricane Joaquin while we have plenty of time..
Singer and guitarist Chris Marlon Jennings relates the
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Pulitzer Prize-winning author continues to shine a bright light on an expanding crisis.
Enrique’s Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the
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“Will Call” dropped in on Caitlin Sullivan, Artistic Director of the Williams College Summer Theatre Lab at the ’62 Center for Theatre and Dance. Caitlin, ’07, traces her roots back to the beginnings both of the Lab and the Center. Beginning this
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