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Actually, that would be 42 counts of INDIEcent Exposure, seeing as how this is episode #42. It is I, brothers and sisters, your humble host, the mongrel, bringing you another amazing show — not for any talent I may or mayn’t bring to the table, oh, no, no, no.
Editor’s Note: Musicians’ bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video.
This show is all about the tunes. And the tune makers. I’m just driving this rig. And after long and careful consideration, and input from YOU, my faithful listeners, I’ve decided that I need to drive this rig a little faster from now on. Get to the tunes faster, and keep the episodes as close to the 30-minute mark as possible.
Gina Brooklyn (2:15)
But don’t worry. You won’t get less of me if you don’t want. I have plans. We’ll talk about them later. Not now. Now we hear from Gina Brooklyn, whose raw power will make you prick up your ears. Her March 2020 single, “Who Are You Fighting For” is exactly the sort of scorcher that may help us all get through the rest of 2020.
Gina Brooklyn; photo by Ginger O’Day.
Anna Stine (6:39)
After that, Anna Stine’s, “There I’ll Go,” off 2018’s Company of Now makes me realize how unfair it is that I can’t spend more time with any one artist. I’m looking for solutions. Constantly. Until I find one, let’s get things cranking with Gina Brooklyn.
Anna Stine; photo by Elliot Malcolm.
So, one of the things I’m going to be doing to maximize the music allowance is to keep a lot of my editorializing in the shownotes. So, if you’re listening while you’re driving or walking or washing dishes or something, but sure to check the shownotes for more information about the artists, including how to connect with them, the 411 on their next live shows, and more.
Victor Samalot (13:52)
Let’s take a side journey right now and explore a diverse landscape centered loosely around the Jazz latitudes. Victor Samalot, out of Cleveland, OH really wowed me with his instrumental homage to the pretty girls of summer, with “La Chica Bonita.” He’s got a blend of Latin Rock, Jazz, and Blues that nods respectfully at trailblazers like Carlos Santana, but most definitely makes its own path as you’ll hear.
Victor Samalot; submitted photo.
Bill King (18:28)
Then, Bill King asks us to reflect a bit on the painful tragedy that the COVID-19 pandemic has been to the entire ecosystem of live music — not just for the musicians, but the club owners, managers, bartenders, waitresses, and, of course, the fans and everyone who takes sustenance from the performance landscape. King’s “Soul Street” is both hopeful and melancholy, and impeccably composed and delivered — no surprise from an artist whose multiple talents as a photographer, writer, radio personality, and mentor have given him a 360º view of the industry.
Bill King; photo via Bandcamp.
The Ault Sisters (21:25)
We’ll wrap up this set with a tune that might not, when you hear the title, be an obvious choice for INDIEcent Exposure. Remember though, when Louis Jordan released “Is You Is or Is You Ain’t (My Baby)” in 1944, the tune was about the hottest alternative music you were likely to find. Hailing from that wellspring of musical talent, Toronto, Canada, the Ault sisters update the Hit Parade classic with razor sharp harmonies. If that’s not enough, the medley-fy it and mash in a devilish rendition of Esthero’s 2005 “Wikked Lil Grrls.”
The Ault Sisters; promotional photo via website.
So let’s not waste another minute — take it away Victor Samalot!
Again, that was the Ault Sisters with “Is You Is or Is You Ain’t (My Baby)” one the heels of Bill King’s brand new single, “Soul Street.” Starting us off was Victor Samalot with “La Chica Bonita.”
Hey, Before we get to the last lap of this musical Monaco Grand Pod Prix, I want to say thanks so much to our supporters out there — a small but loyal bunch. You may have noticed that you didn’t hear any commercials this whole half hour. Pretty sweet, huh? So to make it wicked easy for new listeners to help keep this show going strong and bringing the very best in new Indie music, we’ve just opened up a brand new Patreon.com page. Click over to Patreon.com/INDIEcent (and remember, it’s INDIE-cent) and commit to a monthly amount that matches your budget and love of INDIE music. Remember, this podcast exists to support the artists — help us keep showcasing their awesome work.
Shawna Virago (33:47)
Now, taking us home are two tracks that are so new, the wax has not even had a chance to cool down. Transgender music pioneer and cult solo acoustic artist Shawna Virago has released her latest single, an electric version of her song “Heaven Sent Delinquent” from Tranimal Records.
The song weaves a tale of escape, an anthem for outsiders too timid or shackled by family and economics to make it out of the oppressive towns into which they were born.
Bubl T’s (28:28)
First, though, we’ll hear from Canadian pop music collective Bubl T’s. With the tangy, juicy flavors of 70s bubblegum, slyly injected into a complex blend of tight instrumentation and sharp, unexpected lyrics, “Loser” offers a real candy dish of a track. Witheringly tart criticism skip alongs playfully on the dependably pleasing, sure-footed vocals of Hamilton, Ont.-based Alex Whorms (Burgundy, 2019). This single, Bubl T’s fourth release, is the song you’d never want to inspire, but would be unable to stop yourself from bopping along to, even if you knew it was aimed point blank at you.
Toronto-based music collaborative the Bubl T’s: Vocals by Alex Whorms, Words and Music by Robert Bruce, Robert Bruce, keyboards, Mark Shannon, guitar, bass and drums.
This isn’t exactly a premiere, but I’d call bullshit if you said you’d heard it any else first. So here you go, “Loser” right here on INDIEcent Exposure.
“Loser” from Bubl T’s! “Heaven Sent Delinquent” by Shawna Virago. I’d like to think there’s someone out there who remembers me as her Heaven Sent Delinquent. And hey, if that someone was you, stop fucking stalking me. Just send me an e-mail. [email protected] and remember yourself to me. The rest of you can do the same. Suggestions, band recommendations. Questions about donating precious metals, stocks, and real estate to the show? Whatever. Drop me a line. I’ll get back to you first, actually.
Until then, thanks for listening. And remember. Live to Rock Another Day. Rock to Live Another Day.